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Showing results for Sharla A Revis
...Patrick Jenkins’ revisionist view (“Private equity groups are more than short-termist asset-strippers”, Inside Business, February 6) no doubt triggered a round of high fives within private equity...
...Aromar Revi, from the Indian Institute for Human Settlements and a report author, said the question remained as to “whether we can make the right societal choices quickly enough.”...
...The concert began, like the CD, with the ominous march into expressionism of “The Dance of the Evil Toys”, written by founder member bassist Eric Revis....
...Revis and Calderazzo have been with Marsalis’s quartet since the late 1990s, but drummer Evan Sherman is a recent recruit. Though just 21, he fired up the band with a precise snap....
...“There is a huge amount of land that could have been used to reinvigorate Mumbai, and make it more equitable to address asymmetries of supply and demand,” says Aromar Revi, director of the Indian Institute...
...Orrin Evans, Eric Revis and Nasheet Waits on piano, bass and drums spin rich narratives from a single thumped chord or firm fingered riff....
...The leader blends contemporary concerns with a rich seam of historical references, his spiky lines and impressionist touch completely at one with Donald Edwards’ knowing beats and Eric Revis’ firm fingered...
...With bassist Eric Revis rock and anchor, drums and lead spin a web of intimate dialogues steeped in warm-hearted lyricism and emotional subtlety....
...Dottie’s retarded development ticks the dumb blonde box as surely as sultry brunette Sharla, Church’s live-in belle, is played by Gina Gershon with a virtual swishing tail, woman’s “whorish” flipside gone...
...Aromar Revi is the director of the Indian Institute for Human Settlements (IIHS), a new, business-backed entity seeking to build a university focused on urban planning issues....
...Tarbaby The End of Fear (Positone) The core of Tarbaby is an up-to-the-minute acoustic piano trio led by Orrin Evans with bassist Eric Revis and Nasheet Waits on drums....
...There was an angular homage to Thelonius Monk – “Sphere”, written by Revis – and an encore that recast Monk’s “Rhythm-a-ning” to sound unlike anything Monk would play....
...Later in the set, Marsalis’s composition “Sir Roderick the Aloof” followed a similar, though less hectic, linear pattern, while the finale, launched by Revis’ extraordinary bass feature, ended with a gradually...
...And the bassist Eric Revis is so solid that the band can place notes with abandon....
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