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...The initiative is backed by organisations including the Royal College of Art, Edinburgh Festival Fringe, Royal Shakespeare Company, the Advertising Association, the National Theatre and the British Phonographic...
...In a development not foreseen by Shakespeare, they also forfeit their phones, slinging them regretfully into a flower-laden basket, one of many smart contemporary touches....
...Some scenes are cut or tightened, and Shakespeare’s text is interspersed with new, more colloquial domestic dialogue....
...Over the past 15 years, the Royal Shakespeare Company has developed an approach to teaching Shakespeare inspired by the rehearsal room — with young people using their whole bodies to explore the text....
...Welcome to Yaël Farber’s searing King Lear — a mighty production that fuses the sense of ritual so often central to the director’s work with a modern setting to create a shattering piece of theatre, led...
...There are several player kings in Robert Icke’s fresh, fleet, state-of-the-nation staging of Shakespeare’s Henry IV plays — all of them between a rock and a hard place....
...Rice’s style doesn’t suit all: during a two-year stint as artistic director of Shakespeare’s Globe she experienced a bruising fallout with the theatre board over her staging style, which led to her leaving...
...The play opens soon at the Royal Shakespeare Company in Stratford-upon-Avon, before a run at London’s Kiln Theatre, and Toossi is “slightly terrified” about how it will land in a country where the title...
...With designer Frankie Bradshaw, he has converted a warehouse in Liverpool into a theatre of war for Macbeth....
...‘Player Kings’, Noël Coward Theatre, London, April 1-June 22, then tours, playerkingstheplay.co.uk. ‘Oedipus’, Wyndham’s Theatre, London, October 4-January 5, oedipustheplay.com...
...It’s all too believable, starkly reminding us that the racism and misogyny depicted by Shakespeare still scar contemporary society and can seep through institutions like poison....
...Chakrabarti’s play is in constant conversation with Shakespeare’s dramas....
...She has stuck to the play’s original setting in this Royal Shakespeare Company production: a rambunctious pub, where barmaid Liz (Amber James) charms and outwits a motley rabble of customers....
...But this drama, like late Shakespeare, is interested in grasping happiness where you may....
...Mendes, 58, is genial, generous company. But he’s also reflective. It’s only recently, he says, that he’s considered more deeply the reasons for his love affair with both cinema and theatre....
...Period drama wriggles defiantly free of ruffs and bonnets in Dirty Hare theatre company’s Gunter: a punky, funny, feminist take on history....
...And I suspect that the reason why Shakespeare wrote him out halfway through is because that is kind of what happens to the truth.” The Fool occupies a crucial space in Shakespeare’s mighty tragedy....
...That Shakespeare bloke is also reliable. Three, research the venue. There’s a lot to be said for smaller, more modern theatres, even if they don’t get the star turns....
...Rona Munro’s James Plays have been heralded as Scotland’s answer to Shakespeare’s histories: seven works, six staged so far, spanning two centuries of the house of Stuart, from the ascension of James I in...
...The plot never quite achieves lift-off, but this barely matters: it’s a silly, entertaining flight of fantasy. ★★★☆☆ To December 17, guildford-shakespeare-company.co.uk...
...country, including the Royal Shakespeare Company, London’s Lyric Hammersmith and Manchester’s Royal Exchange....
...Meanwhile the serious point of the piece — the company’s deep grief over Kreiss and soul-searching about continuing — gets lost in the melee....
...So eulogised the poet Ben Jonson in his introduction to Shakespeare’s first folio, published 400 years ago this week....
...But a gleaming one sits centre stage in Trevor Nunn’s new production (at the Orange Tree Theatre, Richmond upon Thames), glowing proudly as if to reassure audiences that this Chekhov will be safely contained...
...This is a production that draws us close to the yawning torment of guilt and the cavernous loss of war, while the rich aural concept emphasises the eerie brilliance of Shakespeare’s dark, image-laden text...
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