Hints and tips:
...Yet in the case of Alvin Ailey, there are reasons for that....
...On The Prisoner of Zenda (1937), Wong Howe pulls off an identity-swap caper starring Ronald Colman in a double role....
...Take Grace, his 1999 breakout hit for Alvin Ailey American Dance Theater that he will reprise at Bard with live music for the first time....
...Like most choreographers, Brown began as a professional dancer, in the esteemed Ronald K. Brown’s troupe Evidence....
...“The Philippines needs foreign investments that are stable, job creating and technology enhancing, in order to sustain its economic development ambitions,” said Ronald Mendozo, dean of the Ateneo School...
...This season’s luminous The Call marks Ronald K. Brown’s seventh work for Alvin Ailey American Dance Theater in 20 years — more than any other choreographer. But why not twice that?...
...Brown, a cherished contributor to Alvin Ailey’s company, is justly celebrated for his evocative, sensual and rhythmically gratifying steps....
...As Ronald Coase argued, transaction costs, because they limit the scope of exchanges in the market, help explain why companies exist....
...Open Door by Ronald K. Brown, which began this programme, is jazzy, vivid in rhythm and somehow unfocused....
...Most people encounter Ronald K. Brown’s dances singly, on an Alvin Ailey company mixed bill....
...Ronald K. Brown is the best thing to have happened to the repertory of Alvin Ailey American Dance Theater since, well, Alvin Ailey....
...Not so in Paris this summer, where Alvin Ailey American Dance Theater is back for a month to rekindle its longstanding love affair with France....
...Community has always been a concern at Ailey, but Moses shares with Ronald K. Brown (whose Grace appears this season) a postmodern sense of the tribe’s loose and ever-shifting nature....
...Ronald K. Brown’s fourth work for the company takes place the next day, with the robes on, in Heaven. Four Corners is inspired not by little “r” revelations but by the Book of Revelation....
...With the notable exception of Ronald K. Brown, the choreographers she commissioned tended to mythologise founder Alvin Ailey without fully understanding him....
...Philadelphian Rennie Harris and Brooklyn native Ronald K. Brown are in the other camp. They favour a sensual inwardness over the hard sell....
...Dancing Spirit, made last year by Ronald K....
...Judith Jamison’s 20th anniversary as artistic director of Alvin Ailey is upon us, and no one will let us forget it....
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