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Showing results for JOHN HEMMINGS
...“I think he uses the theatre, almost in the way John Cage uses [silent musical piece] ‘4’ 33”’, for us to collectively experience and meditate on being in time . . ....
...John Logan, who writes for both film and theatre, has mischievously picked up on this idea. His latest drama, Double Feature, splices together what are essentially two plays, or at least two scenarios....
...For a film that was panned at its own premiere, John Cassavetes’s 1977 Opening Night is experiencing a remarkable extended life....
...Wight and Stephen Kennedy are lovely as kindly elders; Tom Mothersdale’s mysterious John Rokesmith drifts through the action like a ghost....
...It’s her brother, the theatre manager and notably less talented actor, John Philip Kemble, who gets Hamlet, Lear, Richard III....
...Philipp (a wonderfully fickle John Heffernan), who has been suggesting reasons to keep the painting, is now all in favour of selling....
...But the real menace lies in the emotional journey in John Webster’s 17th-century tragedy: its depiction of brothers so depraved that they kill their sister to smother her freedom and of a society corroded...
...The main draw of John Benjamin Hickey’s production is the evident bond between Parker and Broderick as they play out multiple variations of marital misery....
...She falls in love with mild, muslin-loving Henry Tilney, or at least persuades herself she does, fends off the attentions of caddish John Thorpe and forms a close attachment with Thorpe’s sister Isabella...
...And it is them that this heartfelt, though flawed, musical from Luke Sheppard (direction), John O’Farrell (book) and Matthew Brind (musical arrangements) seeks to remember, staged like a gig with the band...
...Though written from the point of view of the Japanese, and drawing on Japanese music and Kabuki, the show is the work of two American artists (Sondheim and John Weidman)....
...But then John, having so much, also has a lot to lose. That’s where Aga spies her opportunity for leverage....
...Written by Jack Thorne and based on eyewitness accounts, Motive (originally staged at the National Theatre last spring) peers into the combustible rehearsal period for John Gielgud’s 1964 Broadway Hamlet...
...The score, composed by John Gzowski and Suba Sankaran and blending ancient and modern instruments, underpins the evening, and there is some mesmerising dance, particularly from Ellora Patnaik and Jay Emmanuel...
...The story (written by Lkhagvasuren Bavuu and translated, for the surtitles, by John Man and Timberlake Wertenbaker) rolls slowly forward towards the restoration of order....
...But while buns and baps are just bread and butter to Clyde, the mysterious head chef Montrellous, the “John Coltrane of sandwich-making”, sees something more....
...Another eccentric 1993 movie also finds musical voice in the shape of Mrs Doubtfire, adapted by John O’Farrell and Wayne and Karey Kirkpatrick, but with less consistent results....
...Theatre (Lyttelton), London There are fireworks and fights aplenty in The Motive and the Cue, but the image that lingers from Jack Thorne’s brilliant, compassionate new play is of two household names, John...
...Sarah Hemming talks to Brian Cox about his next act. Additional contributions from Gary Jones and Benjamin Wilhelm...
...Adrian Scarborough makes an ebullient, restless and ambitious Churchill, while Stephen Campbell Moore is intense and tormented as the young John Reith (founder of the BBC)....
...It can offer routes into discussing racism (Roy Williams’ Sing Yer Heart Out for the Lads), sexuality (John Donnelly’s The Pass) or acceptance (Bend it Like Beckham: The Musical)....
...The scene, inspired by John Cassavetes’ 1977 film Opening Night, is simple enough. Virginia — blonde wig, red velvet dress, pointy slingbacks — sits in a room awaiting a visit from Marty....
...The scene itself, inspired by John Cassavetes’s 1977 film Opening Night, is scripted, but each iteration hangs entirely on the stranger who walks on to the stage....
...Whitney White’s eloquent staging, often bathed in honey-coloured light by Neil Austin, is marked by radiant performances — particularly from Rachel John as the matriarch who runs the farm, Abiona Omonua...
...‘Hamnet’, Swan Theatre, Stratford-upon-Avon, April 1-June 17; then Garrick Theatre, London, September 30-January 6 2024, rsc.org.uk Sarah Hemming is the FT’s theatre critic Find out about our latest stories...
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