Hints and tips:
...The textile department of London’s V&A museum has sent boxes of fabric scraps to turn into paper, which will then go back to its paper-conservation department, which has “a nice circularity”, observes Frith-Powell...
...A 2009 Supreme Court case involving prescription drug labels, Wyeth v Levine, greenlighted state laws that are stricter than federal laws....
...Malevich’s “Black Square” (1915) examines how geometric abstraction became a global language of social and political revolution, from Léger’s “Ballet Mécanique” to Dan Flavin’s fluorescent “Monument to V...
...They are one of only two families to have three generations of work represented in the Smithsonian (the other is the Wyeth family of painters)....
...the Analysts, Martoma claimed to have “black edge” —illicit, nonpublic information… The Analysts exchanged a number of emails and instant messages with Cohen about whether Martoma’s advice on Elan and Wyeth...
...Meanwhile here’s the DOJ’s sealed criminal complaint in USA v Martoma....
...And he loves this indifference to hardcore classicism, reckons it a signal characteristic of British art, a V-sign stuck in the face of academic draftsmanship....
...So here we have works by Benjamin Brecknell Turner, Francis Frith and Frederick Evans, all perhaps less well known internationally than they ought to be, as well as a strong but more predictable display...
...The court will decide whether to shield drugmakers from many costly patient lawsuits, agreeing to hear Wyeth v Levine, a case that tests whether companies are protected from liability when federal regulators...
...portrait of Prince Arthur, the eldest son of Henry VII, who died young; a previously unknown portrait of a young Elizabeth I before she became queen; and the only known contemporary likeness of Edward V,...
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