Hints and tips:
...When we meet, he is mid-rehearsal for a West End staging of Long Day’s Journey into Night, Eugene O’Neill’s harrowing 1941 masterpiece about a family tearing itself apart....
...I squeak, and remember to hand him a drink — a mango and rhubarb lassi prepared by Beti, who asks to measure Tom’s beard with her ruler....
...The castaways appear drawn from many generations, some with the beards of Bohemian Romanticism, others fitted with today’s life jackets....
...s personal collection includes 20th century works by the likes of Pablo Picasso and Henri Matisse, and he is also keen on French Orientalist painters such as Théodore Géricault, Théodore Chassériau and Eugène...
...There are many casualties in Eugene O’Neill’s harrowing, near-autobiographical 1941 drama about a family tearing itself apart, but perhaps the biggest one is truth....
...London Survivor A migrant, part of a group intercepted aboard two dinghies off the coast in the Mediterranean Sea, stands at the port of Málaga after being rescued Face-off Competitors at the French Beard...
...“I still have a beard. Well more of a grown-out scruff,” says hairstylist Eugene Souleiman. “It’s hard to give up.”...
...“Mr Tissot makes [the apostles] hook-nosed, sly, foxy, with spit curls on their temples, with hair and beards that have not known the comb, and complexions that are strange to water....
International Edition