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...In the liberated 1960s, alongside revivals of Art Nouveau and a vogue for the graphics of Aubrey Beardsley (who illustrated Wilde’s Salome) following a 1966 V&A retrospective, peacocking young men of various...
..., the Victorian illustrator, at the V&A....
...Don’t expect a straightforward retrospective of the fashion photographer’s work at the V&A, but do expect magic....
..., but rather locate the sartorial in a wider visual realm, next to other objects and artworks Sontag declared camp, such as Aubrey Beardsley drawings and Tiffany lamps....
...The composer’s copy of Oscar Wilde’s Salome, with its Beardsley illustrations, is a revealing extra....
...cobblestones; handappliquéd protest banners; discarded bicycles welded with audio equipment; finger puppets lampooning the Assad regime in Syria, Black Panther jewellery and Guerrilla Girls masks: the V&...
...The V&A’s triumph here is to demonstrate the common ground between such disparate figures....
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