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...The last of Mozart’s three miraculous collaborations with Lorenzo Da Ponte has come a long way since it arrived at Covent Garden heavily rewritten as Tit for Tat in 1821....
...In 1644 the diarist John Evelyn described an opera he saw in Rome in which Gian Lorenzo Bernini had “painted the scenes, cut the Statues, invented the engines, composed the Musique, writ the Comedy, and...
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