Hints and tips:
...In 1964, he organised the US pavilion at the Venice Biennale and brought along Johns, Rauschenberg, John Chamberlain, Jim Dine, Morris Louis, Kenneth Noland, Claes Oldenburg and Frank Stella, all of whom...
...Frederick also collected far more widely: European modernists (Cézanne, Picasso, Kandinsky), surrealists (Miró), abstract expressionists (de Kooning, Clifford Still), colour field works (Kenneth Noland,...
...At Almine Rech gallery’s virtual booth, for example, works include Kenneth Noland’s “Native Clown” (1986) and Tom Wesselmann’s “Study for Mixed Bouquet” (1998), each priced between $120,000 and $150,000....
...Noland....
...Their Ad Reinhardt, Kenneth Noland and Agnes Martin were sold in November; their no less eclectic collection of sculpture will be offered in May....
...These included Kenneth Noland, Morris Louis, Helen Frankenthaler, Frank Stella, though it took him a year to feel sure about Stella....
...And another Hollywood magnate, David Geffen, recently sold a work that would be on many lists — De Kooning’s “Interchange” (1955), which went to Chicago hedge-funder Kenneth Griffin....
...Included are pieces by Anthony Caro, Jules Olitski, Kenneth Noland and Helen Frankenthaler, whose 1950 ink “Sketch of Clement Greenberg” is offered for $15,000-$20,000....
...In the same period, he also encountered a new generations of painters including Kenneth Noland, Morris Louis and Jules Olitski....
...“Fangor is very little known outside Poland,” he says, “but he moved to the US in the 1960s and met many of the significant artists of the time including Rothko and Kenneth Noland....
...Flat, aggressively frontal, recalling Kenneth Noland’s target paintings, it was made following a decisive American visit (“I had nothing to lose by throwing out History”)....
...Louis and his buddy, Kenneth Noland, were brought to Frankenthaler’s studio by Clement Greenberg, her lover at the time. She later married Robert Motherwell, another juggernaut of the New York scene....
...Kenneth Noland’s geometric abstractions, “Wotan” and “Sunrise”, in turn adopt Louis’s direct application of colour....
...Rather these works, at first sight at least, call to mind the canvases of post-painterly abstractionists such as Jasper Johns, Kenneth Noland and Ellsworth Kelly....
...Noland and Morris Louis....
...Yet if, at first sight, his cool, elegant minimalism may be set readily enough with the hard-edged “post-painterly abstraction” of artists such as Frank Stella and Kenneth Noland, in obvious reaction to...
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