Hints and tips:
...In a glass case in the Wright Brothers gallery stands one of the few remaining bicycles they built....
...to his most famous (and some lesser-known) arias and duets from works such as Madama Butterfly, Tosca and La bohème, sung by a cast including tenor Joseph Calleja, soprano Nicole Car and baritone Peter Coleman-Wright...
...geographer Professor Alice Coleman, author of the damning, if much disputed, Utopia on Trial (1985)....
...Photograph: David Wright...
...cabinet.uk.com Photographs: Dominic O’Neill; Anthony Coleman; Bridgeman...
...Goode is best known for playing in the late saxophonist Joe Harriott’s 1960s “free-form” jazz quintet, which developed themeless improvisation independently of saxophonist Ornette Coleman in the US....
...“The only companies that we see using LNG in our vehicles are companies in the LNG production business,” Mr Coleman says. “They have ready access. The fuel is effectively free.”...
...Ford expects to sell 15,000 CNG-ready vehicles this year, Mr Coleman says....
...“Commercial companies understand that relationship,” Mr Coleman said of after-market suppliers....
...The through-composed string quartet whizzed through venomous attacks and dulcet plunks; the swing-inflected lines sounded like a score from Ornette Coleman....
...Angelika Kirchschlager is a Lucretia of contrasting purity and sensuousness, and there are vivid contributions from Christopher Purves as Collatinus and Peter Coleman-Wright’s Tarquinius....
...A stronger case is made by ENO’s cast, led by Peter Coleman-Wright in the huge and exhausting title-role, well supported by Yvonne Howard and Christopher Ainslie, and conductor Ryan Wigglesworth gets excellent...
...As Boyle also demonstrated in The Women (2009), which is about the romances of Frank Lloyd Wright, he’s able to imbue his female characters with all the complexity, ferocity and personal power that too many...
...Peter Coleman-Wright struggles nobly but unsuccessfully to erase memories of Thomas Allen, the production’s mesmerising original Beckmesser....
...Davis inspires them – and baritone soloist Peter Coleman-Wright – to a reading of technical polish, rhythmic energy and evangelical conviction, with a climax strong enough to convince even the doubters....
...Elgar Howarth, conducting the BBC Symphony Orchestra, gave the performance a foundation of supreme confidence, while Peter Coleman-Wright’s Harry and Lorina Gore’s Honey B swept the stage....
...As the story’s Everyman, baritone Peter Coleman-Wright convincingly veers between his ambitious wife and earth-mother mistress (sopranos Merlyn Quaife and Lorina Gore respectively), leading a solid cast...
...And Matthew Wright’s costumes are a hoot. A few quibbles: the story itself remains pretty thin and the production, compensating perhaps, is a notch too loud and strenuous....
...Britten veteran Peter Coleman-Wright and Susan Gritton support as Captain Balstrode and Ellen Orford....
...Although the Barbican acoustic mercilessly lays bare any stray vocal entry, the London Symphony Chorus gave everything they had, and Peter Coleman-Wright made a sturdy baritone soloist....
...Will Hartmann’s Froh, Peter Coleman-Wright’s Donner and Jane Henschel’s Erda supply the surest singing....
...Smaller parts – Phillip Ens as Fafner, Jane Henschel as Erda, Emily Magee as Gutrune, Peter Coleman-Wright as Gunther, Mihoko Fujimura as Waltraute – were mostly well taken....
...Her Florestan, Torsten Kerl, is a bit of a lump by comparison, and although the evil prison governor probably would be a smarmy civil servant today, Peter Coleman-Wright’s sturdily sung Don Pizarro is unable...
...John Tomlinson’s Hagen is another of his clever portraits of evil, while Peter Coleman- Wright gives Gunther welcome substance....
International Edition