Hints and tips:
...Only near the end did the six women gather onstage, adding to the sense of crescendo in Schubert’s score....
...“Poor”, when the Keats siblings’ tangled legacy (from a wealthy grandmother) inspired Dickens’s Bleak House account of the interminable Jarndyce v Jarndyce case?...
...“B-e-e-t-h-o-v-e-n”, my friend helpfully replied and repeated the name “Beethoven”, whereupon the concierge further enquired, “Is he a guest of the hotel?” My friend was amused and said, “No....
...Yes, Vienna produced a Second School, as well as the incomparable First School of Haydn, Mozart, Beethoven and Schubert....
...Cycling, rowing, rugby, cricket – I want to bat for the critics in the “Artists v Critics” match, but the pitch is waterlogged....
...About V, which Morris created at the Wells nearly a decade ago, I record that it is set to Schumann’s piano quintet, that it responds to its score with entire devotion, and that you see the music before...
...It seems eminently sensible that there should be a greater emphasis on producing well-balanced wines rather than making a political statement about dry v sweet....
...The setting for Approximate Sonata could have been a photographer’s studio (at one point a white backdrop descends to obliterate a blue background) but for the small banner with two V’s centred downstage...
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