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...In Richard Jones’s super, stark production (seen at Bath’s Ustinov Studio last year), it tears off the stage as if written yesterday, led by an outstanding performance from Rosie Sheehy....
...Meanwhile, Rickson and his creative team make the river their guide, creating fabulous, watery pictures, making eloquent use of the National’s large Lyttelton stage....
...In Natalie Ibu’s enjoyable staging (a co-production with Northern Stage), a comic chorus plays all the men as caricatures — pompous publishers, smug critics and self-important authors....
...The story bundles forward in short, snippy scenes, delivered on a revolving stage with camera operators projecting images live above the action....
...When Sarah Snook takes the curtain call at the end of her stunning performance in The Picture of Dorian Gray, she’s not in the company of other actors, but a black-clad crew of camera operators, dressers...
...Here, Siddons is centre stage, played, beautifully, by Rachael Stirling as a woman of wit, brio and shrewd and impatient intelligence....
...The production gathers in pace and force, using the intimacy of this small, in-the-round stage beautifully....
...He’s quietly persuasive, holding the stage with a performer’s confidence....
...Long Day’s Journey into Night heaves on to the stage like one of the ships warned off the Connecticut rocks by the mournful foghorn that sounds throughout Eugene O’Neill’s play....
...in the wake of the murder of Sarah Everard, a 33-year-old woman who was kidnapped, raped and murdered by a serving police officer....
...His Falstaff lumbers around the stage in a vest so stained you can practically smell it, glass permanently in hand, unsteady on his feet yet nimble and shrewd as a cat when it comes to spying an advantage...
...She did not reveal the form of the cancer, or its stage. She said she was “well”, had reassured her children she would be “OK” and would now be undergoing “preventive chemotherapy”....
...The solo show has adopted all sorts of fascinating new guises recently — think of Sarah Snook in The Picture of Dorian Gray or Andrew Scott in Vanya....
...“If you are after pyrotechnics you’ll be disappointed,” warns the forbidding Scottish matron (Liz Kettle) who first steps onto the stage in Macbeth (an undoing)....
...It will be, says Michael Sheen’s Nye Bevan, eyes blazing, as he steps to the front of the National Theatre’s huge Olivier stage, “the most civilised step this country has ever taken”....
The songs from the 1985 gig put together by Bob Geldof are moving, but the script is often clunky
...The locations in the play and those in the play-within-the-play merge on a stage bordered by dressing-room mirrors, props and costumes in Jan Versweyveld’s set....
...Yet there is a sense that, at this early stage of what is expected to be the next great tech revolution, this is a moment when it is still possible to get the governance right....
...The past crowds on to the stage in Patrick Marber’s UK premiere of German playwright Marius von Mayenburg’s dark, disturbing satire Nachtland....
...The firm is engaging in child-lens investing through Rethink Education, its venture capital fund, which focuses on early-stage ed-tech companies....
...Huge questions about masculinity and mental health swirl about the stage....
...The past fortnight has seen Jez Butterworth’s The Hills of California and Beth Steel’s Till the Stars Come Down open on the London stage....
...As he succumbs to insanity, prowling the stage like a wolf, the projected captions of the script, which are integrated into the show’s design, begin to scatter and break down into chunks behind him....
...It added that too many cancers were diagnosed at a late stage and survival lagged behind comparable countries. Nor is access to treatment equal across the UK....
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