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...Against two such strong women, Camilla Nylund’s adequate Ariadne pales somewhat, and Roberto Saccà sounds strained in the thankless role of Bacchus. The smaller parts are all superbly cast....
...The final duet, with Roberto Saccà’s game Bacchus doing his best to keep up, sets the pulse racing through to a climax of heated Wagnerian splendour – unadulterated, red-blooded passion, but perhaps after...
...While Markus Werba is a surprisingly winning Beckmesser, both unusually young and unconventionally lyrical, Roberto Saccà is horribly out of place as Walther von Stolzing....
...Alexei and Paulina, the two central characters, are limply played by Roberto Saccà and Angela Denoke, and we are left wondering why the Royal Opera invested so heavily in such an unlovely work....
...The strongest impact comes from the performances of Roberto Saccà as the shepherd Manolios, chosen to play Christ, and Emily Magee as Katerina, village whore and Mary Magdalene....
...In contrast, Roberto Saccà’s polished Des Grieux cherishes every vowel in a textbook demonstration of robust vocal technique and sure-footed acting....
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