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...The V&A’s new show, Tropical Modernism, revolves around this odd confluence....
...Now in the V&A museum, but once housed in a Hertfordshire coaching inn, it measures more than 3m wide – nearly twice the size of the typical Elizabethan bed....
...“This is not about Japanese-ness — this is the art of everybody,” says Yuko Kikuchi, head of academic programmes at the V&A, who worked with Inglesby on the exhibition and contributed a chapter to its accompanying...
...“[The buildings] are also symbols of a particular time, these colonial people coming in and lording over them....
...Sikander’s “The Explosion of the Company Man” (2006) defaces a colonial officer in a diptych resembling an outsize album....
...Some of it feels as if MC Escher drawings have come to life and mated with Frida Kahlo’s paintings. James would draw the structures he wanted, some with impossibly complicated shapes....
...Despite the discomfort of King George V — whose cousin the Tsar had been executed by the Bolsheviks — Labour formally recognised the Soviet Union....
...A later artist, Ayana V Jackson, poses her “Anarcha” (2017) like an Orientalist odalisque, but the tender image of her turned back suggests not so much exotic allure as vulnerability....
...the pudding, to be ceremoniously delivered to King George V, should be served with Cypriot brandy sauce....
...Alongside her making, Cole’s role at the V&A helps the museum address colonial history and identify gaps in its collection....
...The V&A’s installation on Tropical Modernism, initially a European colonial project but one adopted and adapted by African nations, notably in post-independence Ghana by the Nkrumah government (Ghana is...
...V. Jean-Michel was right to be wary. There were a lot of unexplainable things happening in Salta....
...As his touring exhibition Wonderful Things – which first showed at the V&A in 2019 – opens at the J Paul Getty Museum in Los Angeles next month, a new selection of Walker’s works will also be available to...
...Pressure has mounted for the return of objects that are seen to be an important part of the identity of countries in Africa and beyond, such as the Ethiopian treasures in the V&A or the Benin Bronzes scattered...
...But also it was her way to contain her life, to define her own self while living in shared spaces. It gave her agency.”...
...France has a colonial past, and we have to acknowledge that. We have to face all the dark spots of our history.”...
...“It’s not a complete throwing out of politics, it’s not a complete throwing out of colonial history,” she says. “Yes, you can walk [the exhibition] and find out the traces of colonisation....
...In the V&A’s latest annual review he also referred to talks with Ghana around the V&A collection of Asante court regalia, including gold ornaments, rings and badges, which entered the collection following...
...Once the private chapel of Dona Rosa, the lover of 18th-century king João V, Mesa de Frades is now one of Lisbon’s more bohemian fado clubs....
...Giovanni Vespucci’s “World Map”, the master nautical chart from 1526 given to all Spanish navigators, with details of ships, conquests and resources, is displayed in Charles V’s ornamental version....
...Modi later passed on condolences, speaking of the Queen’s “inspiring leadership” and her embodiment of “decency and dignity in public life”. India flew flags at half-mast over government buildings....
...Take her Self Evident series of eight portraits of black Britons, taken in 1995 and now part of the V&A collection....
...In the foreground, Mutu’s red soil, wood-entwined figure “Sentinel V” presides like a grotesque goddess — part Earth mother, part vengeful spirit....
...After all, a photo of Selassie’s coronation in 1930 showed King George V’s son on bended knee before him....
...Giles Kime, the interiors editor of Country Life magazine, that most devotional of British rural guides, is equally upbeat....
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