1-3 of 3 results for MARY DOE
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  • February 22, 2008

    Behind the gloss of high society

    ...subjects - which is probably the point. But there are some exceptions to this depressing pattern. Towards the end of the show, Mary Ellen Mark uses a more humanistic approach to capture something poignant in Liza Minelli's sad, doe eyes, Nan Goldin shares a fleeting moment of candour with Rob Lowe, and Annie Leibovitz applies her delicate touch to an... By Claire Holland
  • February 21, 2008

    Behind high society

    ...subjects – which is probably the point. But there are some exceptions to this depressing pattern. Towards the end of the show, Mary Ellen Mark uses a more humanistic approach to capture something poignant in Liza Minelli’s sad, doe eyes, Nan Goldin shares a fleeting moment of candour with Rob Lowe, and Annie Leibovitz applies her delicate touch to an uncharacteristically... By Claire Holland
  • September 12, 2007

    New frontiers for the western

    ...palms sweating and our heads swimming. But neither of these Babluanis, nor a third, Georges, who plays the grandson with doe-eyed inexpressiveness, can find a strong direction for the last act, which freewheels towards denouement like a driverless bus. Superbad...American Pie”. “I’m a British nanny and I’m dangerous,” says Clive Owen in Shoot ’Em Up. He certainly is not Mary Poppins. This first feature by ex-storyboard artist Michael Davis, whose sales pitch to studios took the form of 17,000... By Nigel Andrews
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