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...It certainly seems to be standing still for Louise Lecavalier whose mesmerising solo, Minutes around late afternoon, supplied the evening’s centrepiece....
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...a kabuki drama....
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...The 65-minute “play for two” takes place on a stage lined with plastic sheeting and features two rubber octopuses, a silicone foetus, a goldfish bowl and a garden sprinkler that drenches both stage and performers...
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...Francesca Hayward was a persuasive Magdalene figure and Marcelino Sambé, coached by Wayne Eagling and Edward Watson (one of the great Woyzecks), gave a performance of rare power....
...Four dancers wearing stunning scarlet costumes by Reid Bartelme and Harriet Jung — a clever cross between a surplice and a unitard — ripple through Tanowitz’s measures with deadpan wit....
...The three works on offer suffered from a lack of scenic variety: a lifeless palette, clichéd lighting and a smoke machine working overtime....
...The Varna gold medallist Fumi Kaneko set the bar chasteningly high, partnered by an elegant and attentive William Bracewell....
...A woman tickles the feet of a man at prayer; four stuntmen crash-land into a pile of boxes; an angry official demands to see passports; weeping men rub raw onion into their eyes....
...A great story, a strong score, three world-class dancers: what could possibly go wrong? Plenty....
...Hakluyt, the corporate consultancy founded by ex-MI6 intelligence officers, is appointing former UK Conservative party leader Lord William Hague as chair of its international advisory board....
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...Browsing the National Theatre’s bookshop last summer, Michael Nunn and William Trevitt, joint artistic directors of BalletBoyz, spotted England on Fire....
...Appels, a percussive piece — rainsticks, kettledrums, bells — by French-Mexican new wave R&B artist Andrea Balency-Béarn was followed by Cage Letters, a piano setting of three of John Cage’s love letters...
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