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...This gives performances a remarkable intimacy and lends urgency and tension to a piece like Birdy that might struggle to register with the longer sightlines of a conventional venue....
...It certainly seems to be standing still for Louise Lecavalier whose mesmerising solo, Minutes around late afternoon, supplied the evening’s centrepiece....
...May-December romance: a certain frisson is guaranteed; a happy ending is unlikely, but such transgressive liaisons are ideal material for dance drama....
...Few contemporary dancemakers have greater command of a large ensemble — Pite’s 2014 Polaris deployed a corps of 64 — but even when it’s only a cast of eight she floods the stage with movement....
...A flamenco guitar is typically strung very close to the fret, producing a squeak as the fingers move across — a cerdeo, we call it: a little touch of the metallic....
...a kabuki drama....
...theatre into a chamber of horrors with a smoke machine and a few hundred watts....
...“I was drawn to that painting because it was a blank page with creases. To me, the creases suggested a memory,” says Louise Trotter, who was appointed as Carven’s creative director last February....
...The 65-minute “play for two” takes place on a stage lined with plastic sheeting and features two rubber octopuses, a silicone foetus, a goldfish bowl and a garden sprinkler that drenches both stage and performers...
...Fausto might not prove a sure-fire success on stage, but what a brilliant young talent Bertin was. ★★★★☆ ‘Louise Bertin: Fausto’ is released by Bru Zane...
...Francesca Hayward was a persuasive Magdalene figure and Marcelino Sambé, coached by Wayne Eagling and Edward Watson (one of the great Woyzecks), gave a performance of rare power....
...Four dancers wearing stunning scarlet costumes by Reid Bartelme and Harriet Jung — a clever cross between a surplice and a unitard — ripple through Tanowitz’s measures with deadpan wit....
...The three works on offer suffered from a lack of scenic variety: a lifeless palette, clichéd lighting and a smoke machine working overtime....
...A woman tickles the feet of a man at prayer; four stuntmen crash-land into a pile of boxes; an angry official demands to see passports; weeping men rub raw onion into their eyes....
...A tart, a pimp, a ponce and a sugar daddy....
...A great story, a strong score, three world-class dancers: what could possibly go wrong? Plenty....
...But for Kim Brandstrup, classical mythology is more of a touchstone than a template, supplying the starting point for complex and mysterious relationships....
...Appels, a percussive piece — rainsticks, kettledrums, bells — by French-Mexican new wave R&B artist Andrea Balency-Béarn was followed by Cage Letters, a piano setting of three of John Cage’s love letters...
...a man being danced to destruction....
...Louise Ballard MoodyCo-Founder, Atheni StrategyHartfield, East Sussex, UK Letter in response to this letter:Grappling with WFH is a seemingly impossible task / From Alistair Enser, Chief Executive, Reliance...
...The topiary ballet, set to some gloopy vox humana, is intended as a modern take on the classical vision scene....
...The four teachers came to meet her and they loved her like a daughter.” At 42, Cojocaru is enjoying a golden period of creativity while learning new admin skills. La Strada is a big step....
...If so, Seichō Matsumoto’s Point Zero (Bitter Lemon, £9.99, translated by Louise Heal Kawai) should be on your bedside table....
...A fair chunk of the audience was armed. Many were missing teeth....
...He returned after the interval in a thrilling Danse Arabe, holding sinuous Melissa Hamilton aloft in a dauntless overhead lift. Only a short scene but definitely a partnership to watch (and rewatch)....
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