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Showing results for Jackie Tates
...To November 24, labiennale.org Jackie Wullschläger’s pick of the pavilions...
...The meringue-fantasy daughter listens to music in a room plastered with Jackie magazine covers. Dad (fruitcake) slumps before the television. Baby (iced nappy) lies in a cot....
...Jackie Wullschläger is the FT’s chief visual arts critic Find out about our latest stories first — follow @FTWeekend on Instagram and X, and subscribe to our podcast Life & Art wherever you listen...
...October 5-February 25, tate.org.uk...
...As museums are increasingly, devastatingly, driven by politics (look no further than this year’s Tate Britain rehang), the NPG is a beacon, celebrating the individual and, in beautifully open, democratic...
...By turns enjoyable and overburdened by ideology, it follows recent London shows — Tate’s Life Between Islands, the Hayward’s In the Black Fantastic — in celebrating an essential story: 20th- and 21st-century...
...Jackie Wullschläger’s review of Women in Revolt!...
...(The American Rothko gave works to Tate because he admired its Turner connection.)...
...With Tate’s brooding, claustrophobic maroon, mauve and black columnar “Seagram Murals” (1958), the mood becomes sombre....
...To January 28 2024, tate.org.uk...
...Cullinan arrived in 2015, an experienced contemporary curator at the Met and Tate, dreaming whom he would invite “if I could commission any artist to portray any subject”....
...As a post-industrial space (car production stopped here in the 1980s), the Pinacoteca Agnelli’s heft and style dwarf Tate Modern, while the roof has the scope of New York’s High Line....
...“Men swap compliments over a nude’s dead body,” Clark lamented in the Tate’s catalogue. Picasso “binged on the female nude and denigrated actual women”, Linda Nochlin argued....
...He was introduced to British audiences at Gimpel Fils gallery in 1947, then at Tate’s exhibition in 1963....
...“Brain Forest Quipu” (to April 16) in Tate Modern’s Turbine Hall....
...Soaking up these changing scenographies that wash over the Lightroom like waves, visitors at last week’s preview were already lying dreamily on the (carpeted) floor — reminiscent of Tate audiences at Olafur...
...red, yellow and green, pears and apples seem to vibrate in their scalloped bowl in “Still Life with Fruit”; the paint’s density yet luminosity recalls “Sugar Bowl, Pears and Blue Cup” at the opening of Tate...
...‘Cezanne’, October 5-March 12, Tate Modern, tate.org.uk ‘If These Apples Should Fall: Cézanne and the Present’ is published by Thames & Hudson Find out about our latest stories first — follow @ftweekend...
...full of sadness when cradled in his arms in the absurdist performance “How to Explain Pictures to a Dead Hare” — and a drawing of a dead deer, animal emblem of grandeur and sacrifice in sculptures such as Tate...
...The Beyeler launched only three years before Tate Modern, but it belongs to a different world, asserting modern art’s specific historic place, in contrast to the pluralistic, hierarchy-free mash-up of 21st-century...
...For the first time this century, Tate Britain outshines Tate Modern to become home to the most dazzling contemporary art on show in London....
...Tate displays the group in brilliant context....
...volume singles out two painted queens, each intriguing, engaging with tradition — the sort of pleasurable, questioning figurative painting sadly excluded from the conversation at conceptual bastions such as Tate...
...February 24-August 29, tate.org.uk Follow @ftweekend on Twitter to find out about our latest stories first...
...As if they have galloped across the bridge from his “Procession” at Tate Britain, Hew Locke’s “Ambassadors”, black statues in ornamental costumes on horseback, one-third life-size, are poignant, dignified...
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