Hints and tips:
...“You are not going to lose too many votes by increasing taxes on banks,” said Giles Edwards, a banks analyst at S&P Global Ratings....
...Marianela Nuñez was a scene-stealing Mitzi Kaspar, her box-fresh pointe shoes highlighting her impeccable footwork....
...The ears and the tail went, as ever, to Marianela Nuñez and Vadim Muntagirov, both clearly bursting with pride and joy at returning to their beloved stage....
...The 12-member team will reportedly include three co-chairs: Vivek Murthy, a former surgeon general; David Kessler, a former head of the Food and Drug Administration; and Marcella Nunez-Smith, associate professor...
...Marianela Nuñez’s smiley manners are an odd fit for the bored and nervy Natalia Petrovna, and her shoulders and upper back are a mite unyielding for the Ashton style....
...An injury to Edward Watson has played havoc with the casting for the Royal Ballet’s latest star-studded revival of Mayerling but the company’s current strength in depth ensured that the opening night of...
...In a year of great fiction by Haruki Murakami, Sayaka Murata, Sally Rooney and many others, it was Nunez’s distinct voice that stayed with me....
...The dancers raised their game accordingly, Marianela Nuñez, Valentino Zucchetti and James Hay flitting through Schubert’s Ninth with animatronic precision....
...We see the Royal Ballet at its finest as a dramatic troupe, the opening performance driven by Edward Watson’s unsparing impersonation (“incarnation” the better word) of Rudolf....
...After the Rain uses pallid scores by Arvo Pärt and is redeemed by a touching duet, well done by Marianela Nuñez and Thiago Soares; Within the Golden Hour contrives to surmount the string-writing of Ezio...
...That Edward Watson gave an ideal interpretation of the Messenger goes without saying: he trusts the choreography, and the dance grandly lives. So, too, with Cuthbertson....
...It was well done by Marianela Núñez, Thiago Soares and Carlos Acosta (as the Messenger)....
...Tuesday’s matinee was a different matter thanks to the mutual trust and split-second timing between Edward Watson and Francesca Hayward, a 22-year-old British soloist dancing her first three-act lead....
...The staging had a powerful effect at its first showing in 1944, not least because of tremendous design by Edward Burra and a strong score by Arthur Bliss (those were the days!)....
...of Laura Morera, Zenaida Yanowsky and Marianela Núñez in their partner’s ever-alert care....
...Zenaida Yanowsky, Eric Underwood and Marianela Nuñez made the most of it. “Danse à grande vitesse” is an apt description for Natalia Osipova, who soared through the third movement with Edward Watson....
...music personified in elegant dance – and how sadly her spirit and her grace were missing at Tuesday night’s revival, which, save for Laura Morera’s beautiful phrasing and sensibilities, was numb, with Edward...
...Against a handsome assemblage of curved forms by Jean-Marc Puissant which reveal themselves with increasing power as the work develops, Wheeldon’s cast (led by Marianela Nuñez, by turns anguished and then...
...As with Viscera, performances are splendid: the dancing of Laura Morera, Marianela Núñez, Ryoichi Hirano, Sarah Lamb, Melissa Hamilton, Edward Watson, Steven McRae and their colleagues throughout the evening...
...The admirable Marianela Nuñez and Federico Bonelli play out the tale with studious inevitability, attendant dancers do their stuff as huntresses and hounds, and I cared not a damn....
...I am no great admirer of Wayne McGregor’s convulsive challenges for dancers, but Limen, despite its anxious score (a cello concerto by Kaija Saariaho), was given brilliantly apt performance by Edward Watson...
...There is a moment in Wayne McGregor’s Chroma, opening the Royal Ballet’s latest triple bill, when, after a sequence of torso-wrenching activities, Edward Watson walks naturally, simply, towards his partner...
...Only Edward Watson (pictured), very fine as Anubis, turned posturing into theatrical art....
...Marianela Nuñez, Sergey Polunin (power and classic distinction are his), Leanne Benjamin, Federico Bonelli. Cindy Jourdain, Edward Watson and their colleagues were handsomest advocates....
...Infra offers duets in the fashionable manner: the cast stretch and tug their way through these sterilities with great distinction, and Edward Watson (pictured, left), as a focal figure in this drama of...
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