Hints and tips:
...“I called them and was like, ‘Hey, guys, I’ve got a client who will bring a sub; we’ll raise money’.” Parks Canada said no....
...There’s real joy in seeing Duffin and Barrett spar as the Marys: Barrett is masterfully overwrought, full of vain actorly swagger, Duffin more jittery and uncertain....
...Aoife Duffin is sulkily transfixed by him, even as she longs for the kind of freedom no man can bring her....
...Her interactions with Aoife Duffin’s Ophelia lack chemistry, and the comedy of the gravedigger scene gets a bit lost....
...A multi-storey monument of mirror-glass glitz, the Trump Tower, like the man himself, has become difficult to ignore. Photographs: Ryan Duffin...
...The Taming of the Shrew, like The Merchant of Venice, has its problems for modern viewers amplified when staged at Shakespeare’s Globe....
...Performer Aoife Duffin shows phenomenal discipline and memory skills, but she doesn’t actually get to do much . . ....
...Patrick Mason’s production, played out sensitively on a near-empty stage, evades realism, seeming rather to float, like a memory....
...There are landscapes, dreamscapes, cityscapes – some very good ones of London by Anne Desmet and John Duffin, for example – still life, portraiture and much else....
...Guests in the hotel like the radios in their room. They are the ones that you crank up to listen to....
International Edition