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Showing results for Christopher Sadler
...The 21st-century London City Ballet is under the direction of seasoned dancer, teacher and choreographer, Christopher Marney....
...GöteborgsOperans Danskompani Sadler’s Wells, London Many dance stages have a rake that tilts the performance towards the stalls and helps the sightlines....
...Christopher Bruce’s Rooster used Rolling Stones tracks to explore the sexual politics of the 1960s....
...Tiler Peck’s three-night stand at Sadler’s Wells last weekend offered London a rare glimpse of one of New York City Ballet’s brightest and most versatile stars....
...42nd Street Sadler’s Wells, London “Who cares if there’s a plot or not?” runs one lyric in 42nd Street....
...Meanwhile Sadler’s Wells embraced the school holiday with a choice of family viewing: Jasmin Vardimon’s Alice (on the main stage) and Arthur Pita’s Ten Sorry Tales (at the Lilian Baylis Studio)....
...The 20-minute final section, Passage, tackles what Pite calls “the ultimate border crossing” and features Isidora Barbara Joseph and Christopher Havell from the Sadler’s Wells senior initiative Company of...
...The evening closed with a revival of Christopher Wheeldon’s reliably crowd-pleasing DGV: Danse à grande vitesse, created for the company in 2006 to an unrelenting Michael Nyman score....
...‘ENB at Sadler’s Wells’ to May 30, ballet.org.uk ‘21st Century Choreographers’ to May 30, and streaming May 28-June 27, roh.org.uk...
...While Listening to a Tape Recording of Bela Bartok’s Opera “Duke Bluebeard’s Castle”, was first performed in Wuppertal in 1977 but had its belated UK premiere at Sadler’s Wells on Wednesday....
...Sidi Larbi Cherkaoui’s Faun has joined the repertoires of several major companies, including the Paris Opera Ballet, since its Sadler’s Wells premiere in 2009....
...Available now via Half Moon website Rumpelstiltskin (Ballet Lorent/Sadler’s Wells) Sadler’s Wells is responding to the crisis by expanding its digital programme, and families are uppermost in their minds...
...“We’ve seen a number of investors come over from the US, which is 10 to 15 years ahead of us [in life sciences real estate],” said Rob Sadler, head of life sciences at the estate agent Savills....
...It forms part of a Sadler’s Wells triple bill of dance set to the work of American composer Nico Muhly....
...The evening got off to a palate-cleansing start with a revival of McGregor’s PreSentient, a parting gift commissioned during Christopher Bruce’s final season as Rambert director in 2002 and set to Steve...
...For the evening’s second piece, an expanded version of Christopher Wheeldon’s 2017 duet Us, Katherine Watt dresses the sextet in black trousers and polo necks teamed with lightweight grey linen tailcoats...
...Rainer Behr and Christopher Tandy raged through self-destructive solos and there was a stageful of dinner dance duets in full evening dress, but there were also huge swathes of self-indulgent prattle — “...
...The Rambert2 triple bill was wrapped awkwardly around a farewell glimpse of Christopher Bruce’s 1981 Ghost Dances, performed by the main company....
...Standing ovations have become the default response at Sadler’s Wells since the theatre — the sixth on the Islington site — re-opened for business two decades ago, but William Forsythe earned every cheer...
...Christopher Renshaw’s Carmen La Cubana, which premiered in Paris in 2016 and opened at Sadler's Wells last Thursday, relocates the action to revolutionary Cuba....
...The Royal Ballet has worked with Jasper Conran and Gareth Pugh, while Hussein Chalayan costumed a contemporary dance for Sadler’s Wells in 2015....
...Anthony Matsena, Wilhelmina Ojanen, Ruby Portus and Christopher Thomas will present work at the Lilian Baylis Studio at Sadler's Wells in October....
...And at Chalayan, a quiet, meditative affair at Sadler’s Wells, we were reminded that fabulous technique and true wearability never go out of style....
...new musical from director Christopher Renshaw (until August 18)....
...What to make of Iván Pérez’s Human Animal, a dim game of “follow my leader”, or Christopher Wheeldon’s Us, an all-too-predictable duet for two glum chaps?...
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